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The End of “The End of”?

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The title of this post is borrowed from a discussion Shawna and I were having about Allan Stoekl’s Bataille’s Peak. Part of Stoekl’s motivation for the text is what he and others have called “the end of The End of History,” meaning that 9/11 somehow invalidated Francis Fukuyama’s regrettable assertion that the collapse of the Soviet Union meant the end of History because, following Kojeve, we had arrived at the worldwide transmission of democracy and that, now, human equality was at its absolute peak. In other words, we had arrived at the end of all possible Events (in Badiou’s sense of the term). That someone could look at the world in the mid-90s and think that is silly, at best, but not the point here.


In a post on WorldChanging, Alex Steffen details a discussion he and Cory Doctorow were having about the unbelievability of post-apocalyptic fictions. This was something that I’ve actually been thinking about a lot lately. They posit a term called “the Outquisition,” suggesting that the new Utopianism for a declining America may lie in very smart people roaming around the country sharing new ideas and new technologies. All of this flies in the face of the model of post-apocalyptic life foregrounded in books like Alas, Babylon or (more importantly) The Road.

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Towards a Theory of Classic Rock

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An assertion: white teenagers continue to listen Led Zeppelin and feel
subversive, as they have for the last 40 years. Why?

Largely, I’m interested, here, in addressing the continuance of
classic rock as a radio
format and a viable musical option when other (arguably better) forms
of music have dropped out of the popular teenage imagination (think
punk, disco, post punk, new wave, and hair metal (although I wouldn’t
argue that as better (although Quiet Riot is more fun)).
Specifically, though, I’m interested in why one band, Led Zeppelin, is
regarded as the paragon of artistic craft, rock&roll rebellion, raw
sexuality, and unassailable anti-commercialism when there are other
bands that are provably better at any of these features. Why Led
Zeppelin?

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Divergences

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I’m faced with a fork in the metaphoric road, today. Despite the fact that I was concerned with being “so busy” this semester, I find I have a lot more unstructured time this semester than, really, ever before. I think part of it is how much more reading I’ve been getting done since Shawna and I have started combining studying and hanging out. The problem, though, is that I’m done with my reading for the week and it’s Monday morning (this isn’t entirely true; I’ve not actually yet read Structures of Scientific Revolutions, but this will be reading number four (number two for this year!)). I was reading Fred’s book on Adorno (Late Marxism: Adorno or the Persistence of the Dialectic (a book so good they titled it thrice!)), but when he got into a detailed analysis of Kant’s and Hegel’s competing influence on Adorno’s understanding of the thing, I got run over by Teutonic philosophy. I’m picking at Jean Baudrillard’s Fragments, as well, but it’s a book that can, really, only be picked at (not being composed of an argument and all). Anyway, as I see it, I can either do my taxes or start reading The Dialectic of Enlightenment (based on my comments last week on Adorno and something Fred had to say about “The Culture Industry,” I’‘m thinking that I need to give that book another chance). Both of these smell specifically un-fun. While I suppose I could just laze about the house all day, watching movies and eating bonbons, I feel sort of bad. Everyone else I know is insanely busy and pressured and stuff. All I really have to do today is walk down to the mailbox and mail this month’s bills (I also have to go teach at 2:30, but I have a feeling that I’m really, really going to forget to do this). Anyway, I think I’m going to go wander around the house and wait for inspiration. Having nothing to do is so much work, damn!

Image Credit: Divergence by wauter de tuinkabouter

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