Towards a Theory of Classic Rock
An assertion: white teenagers continue to listen Led Zeppelin and feel
subversive, as they have for the last 40 years. Why?
Largely, I’m interested, here, in addressing the continuance of
classic rock as a radio
format and a viable musical option when other (arguably better) forms
of music have dropped out of the popular teenage imagination (think
punk, disco, post punk, new wave, and hair metal (although I wouldn’t
argue that as better (although Quiet Riot is more fun)).
Specifically, though, I’m interested in why one band, Led Zeppelin, is
regarded as the paragon of artistic craft, rock&roll rebellion, raw
sexuality, and unassailable anti-commercialism when there are other
bands that are provably better at any of these features. Why Led
Zeppelin?














